Lc 2 Club Chair

Swiss-born Charles-Édouard Jeanneret, best known by his adopted name Le Corbusier, was a highly influential architect, designer, painter, urban planner and writer whose career spanned almost five decades.

A pioneer of progress-minded modern architecture, Le Corbusier sought to impose a rational order on the chaos of the world through design. He rejected the excessive architectural ornament and developed a style that became known as brutalism, creating buildings with elemental geometric forms that were made of industrial materials such as steel and reinforced concrete. Le Corbusier believed that pure, well-designed spaces could offer a lesson in how little is needed to achieve happiness. To convey this notion, the architect prioritized modern, open interiors and emphasized light, rational designs. His architecture and interiors share a clear sense of space and structural order, underlining the beauty in harmony, proportion and simplicity.

Le Corbusier’s furniture espouses these same ideals. His designs are spare, minimal and efficient but at the same time offer supreme comfort. Collaborating with his cousin, Pierre Jeanneret, and trailblazing designer Charlotte Perriand, he devised such iconic pieces as the LC2 Petit Confort armchair and the LC4 chaise longue. Each couples a tubular chrome frame with soft, supple leather upholstery, lending an organic warmth to an industrially made design. In his furniture, Le Corbusier broke new ground in ergonomics. The shape of the LC4 chaise is taken directly from the human form; the classic cowhide upholstery makes the sitter feel weightless; and the piece features an adjustable positioning mechanism to promote total relaxation.

Such planning and intelligence were the hallmarks of Le Corbusier’s career. Whether in his designs for private residences such as the Villa Savoye near Paris, apartment towers like the Unité D'habitation in Marseilles, or in his furniture, he worked toward a style of living that was expansive and flexible. The strength and simplicity of line of Le Corbusier’s sofas and other seating pieces give them a sculptural presence in any décor, yet they are sublimely restful. And as you will see on 1stDibs, Le Corbusier’s furniture reflects a worldly taste: it is at once refined, cosmopolitan and chic.

The Bauhaus was a progressive German art and design school founded by the architect Walter Gropius that operated from 1919 to 1933. Authentic Bauhaus furniture — sofas, dining chairs, tables and more — and the school’s followers married industrial and natural materials in simple, geometric forms. The goal of the Bauhaus was to erase the distinction between art and craft while embracing the use of new technologies and materials.

ORIGINS OF BAUHAUS FURNITURE DESIGN

• Art and design school established in Germany in 1919
• Promotion of a union of art, craft and technology
• Design intended for mass production
• School’s workshops focused on cabinetry, metalworking, typography, textiles and more
• Informed by De Stijl, Constructivism, Art Nouveau, Arts and Crafts, and modernism; influenced mid-century modernism, Scandinavian modernism

CHARACTERISTICS OF BAUHAUS FURNITURE DESIGN

• Emphasis on craft
• Simplicity, order, clarity and a prioritization of functionalism
• Incorporation of geometric shapes
• Minimalist and refined, little to no ornamentation
• Use of industrial materials such as tubular chrome, steel and plastic as well as leather, cane and molded plywood in furniture and other products

BAUHAUS FURNITURE DESIGNERS YOU SHOULD KNOW

• László Moholy-Nagy
• Ludwig Mies van der Rohe
• Anni Albers
• Josef Hoffmann
• Marcel Breuer
• Marianne Brandt

AUTHENTIC BAUHAUS FURNITURE ON 1STDIBS

The name Bauhaus is derived from the German verb bauen, “to build.” Under the school’s innovative curriculum, students were taught the fine arts, such as painting and sculpture, as well as practical skills like carpentry and metalworking. 

The school moved from Weimar in 1925 to the city of Dessau, where it enjoyed its heyday under Gropius, then Hannes Meyer and Ludwig Mies van der Rohe. The period from 1932 to 1933 when it operated in Berlin under Mies was its final chapter. Despite its brief existence, the Bauhaus has had an enduring impact on art and design in the United States and elsewhere, and is regarded by many as the 20th century’s chief crucible of modernism. 

The faculty roster at the Bauhaus reads like a who’s who of modernist creative genius — it included such artists as Paul Klee, Wassily Kandinsky and László Moholy-Nagy along with architects and designers like Mies and Marcel Breuer, who became known for his muscular brutalist-style concrete buildings in the postwar years. In 1925, while he was head of the Bauhaus carpentry workshop, Breuer gave form to his signature innovation: the use of lightweight tubular-steel frames for chairs, side tables and sofas — a technique soon adopted by Mies and others. Breuer’s Cesca chair was the first-ever tubular steel frame chair with a caned seat to be mass produced, while the inspiration for his legendary Wassily chair, a timeless design and part of the collection crafted to furnish the Dessau school, was the bike he rode around campus.

Bauhaus design style reflects the tenets by which these creators worked: simplicity, clarity and function. They disdained superfluous ornament in favor of precise construction. Seating pieces such as side chairs, armchairs or club chairs for example, were made with tubular metal or molded plywood frames, and upholstery was made from leather or cane. Above all, designs in the Bauhaus style offer aesthetic flexibility. They can be the elements of a wholly spare, minimalist space, the quiet foundation of an environment in which color and pattern come from one’s own collection of art and artifacts.

Today, from textiles to typefaces, architecture, furniture and decorative objects for the home, Bauhaus creations continue to have an outsize influence on modern design.

Find a collection of authentic Bauhaus furniture on 1stDibs.

Traditionally covered in leather and abundantly luxurious, antique and vintage club chairs are among the most comfortable pieces of furniture that you could ever bring into your living room. The classic club chair is one of the 52 types of chairs to know when decorating your home.

While the club chair was especially popular in France during the 1920s — known there as fauteuil confortable (or “comfortable armchair”) — modern versions are derived from those used in 19th-century English gentlemen’s clubs, which is believed to be the origin of their name. A riff on the traditional armchair, these seats typically have low backs, extra-wide armrests and more than sufficient padding to support extended lounging.

Well-known modern interpretations of the club chair can be found in Marcel Breuer’s pared-down Wassily lounge chair and in the cube-like seats of the LC collection, designed by Charles-Édouard “Le Corbusier” Jeanneret, Pierre Jeanneret and Charlotte Perriand. Debuting in 1956, the celebrated Eames lounge chair was a fresh, subversive new take on the classic English club chair and a culmination of experimentation by Charles and Ray Eames, its inventive creators.

When shopping for any style of club chair, be it a mid-century modern club chair, an Art Deco club chair or another type, you’ll want to think about the room you have in mind for this distinct seating. Club chairs occupy a lot of real estate, as they’re usually larger than standard chairs. (You’ll want to make certain that there is at least one foot of space around the chair, for example, to ensure the sitter doesn’t feel cramped and that there is room to move freely around the furnishing.) And although they were originally upholstered in leather, contemporary iterations of the club chair can be found in fabric and plastic.

Introduce a decadent atmosphere and a whole lot of comfort in your living room or reading nook. Explore a collection of antique, new and vintage club chairs on 1stDibs.